Sunday, May 23, 2010

T-HE INTERVIEW. Eddie from T-world Magazine!






There are 3 kinds of people in this world. People who wear t-shirts, people who love t-shirts, and people who see t-shirts as wearable art. 
The first t-shirt I remember loving was a white 'Big M' milkshake t-shirt that was given to me by my Dad. The flavour was honeycomb, and it had bees all over it. At the tender age of 9, I loved that t-shirt, even when my Auntie washed it with her red hotpants and dyed it pink
I think that's where it all began for me...
When I was 12, Mum and Dad took us to Surfers Paradise for a holiday. I had saved up $30 and was determined to spend all of my pennies on a blood-spattered tourist t-shirt with a giant shark bite out of it. I like to think that my tastes have matured now that I am 28, and two people have unknowingly been with me on that journey.  

The first person is Victoria Howard, fellow t-shirt connoisseur and best friend. Over the years she has introduced me to the likes of; Threadless, Loyal Army and Kidrobot. She is, without doubt, the coolest person I know. 

The second is Eddie Zammit, creator of international T-shirt journal, 'T-world'. 




If you consider T-shirts to be a form of religion, T-world is your deluxe bible.




With graphics to die for, and interviews with established and emerging designers, T-world is a luxury Magazine experience that will have you lovingly absorbing every single page. I discovered Issue #1 a few years ago in Melbourne, and I have been collecting it ever since. It's like a year book for me, a beautifully published record of the culture of our time and something to keep forever. 
When Issue #6 was released with a 'Sesame Street' cover, it got me thinking...'Who created T-world? And did they realise that they had captured my heart and my loyalty?'

I emailed the man they call Eddie Zammit, and asked 'Please please please may I interview you?' 
He said 'Of course!'
 


T-HE INTERVIEW 




BW: Eddie, can you describe for me the exact moment that you dreamt of having a magazine 
solely dedicated to your passion for T-Shirts?  
EZ: My Dad died. As sad as that sounds, when my Dad died at the end of 2004 I realised how short 
life was. T-world was the kind of idea that I had been tossing around in my head since the end of 
last century. After all, T-shirts and magazines combine to be my two passions. In some ways, 
doing what you want in life needs a kick up the arse. Having my Dad die gave me a reality check 
of my own. I knew the obstacles involved and I figured that if I turned 40 and hadn’t tried it, I 
would be regretful. So from there I poured most of my energies after hours to a project that I 
thought had merit. To a project I believed in.

Why tees? Billions of people are right now wearing them and for me there is no more accessible 
canvas to display art than the simple T-shirt. 



BW: What is your creative process for planning what content will go into the Magazine?  
EZ: Personal experiences reflect what goes into each issue. I get recommendations all the time and 
that helps but research and development goes a long way to solidifying a final theme. The Kool 
Kids concept for Issue #06 came about after speaking to loads of designers about their 
frustration on what they regarded as a pretty tacky area in the T-shirt market. Designers who 
were born in the 70s and 80s are now starting to be parents and they want their kids to have the 
same cred they aspire to.


BW: In your experience, what do you foresee as being the biggest challenge bringing a new 
product or idea to market? 
EZ: Cash flow. Without a doubt. Cash flow is something that most businesses struggle with and T-
world is no exception. I pay everyone involved for their contribution and that’s been hard to keep 
up with, especially as T-world is a self-funded project. No matter whether you are friends or not, 
paying your contributors is necessary for a long term project like T.


BW: Has T-world been a self-funded project?

EZ: Yes, I have self-funded T-world myself from day dot. Money I have invested into T-world has 
been made from Grin Creative (my former design agency) or side projects intended to laterally 
raise money for T. Advertising supports the actual printing side of the journal and the rest is 
covered by sales. It’s by no means a money making scheme.


BW: As the Creative Director for 'Grin Creative', what have you learnt over the years that has 
given you an advantage with starting T-world?  
EZ: Funny you ask that. I have ‘just’ resigned from my position at Grin because I wanted a change. 
My true passion lies with T-shirts and so my new ventures will now be able to focus on this. I 
was with Grin for 13 years. 

Grin taught me many things and it helped to instill the importance of brand values. It sounds a tad 
wanky but brand values really do help in making fundamental decisions. T-world’s brand values 
are;
• Quality – there’s no way I’d put in so many hours and be so pedantic without producing a 
quality product.
• Originality – this is hugely important. I don’t want to re-invent the wheel but I do want fresh 
content and images matched with credible artwork being featured. We like to expose new talent 
but we also like to mix that with established labels and artists. Overall it’s the story we’re after.    
• Longevity – very few labels have existed and maintained momentum pre-90s. That says a lot. I 
am not in this game because it’s a fad, I’m in it because I truly love T-shirts. I see T-world as an 
awesome format to document the current climate of T-shirt culture.


BW: How do you structure your world Eddie? Working full-time with Grin Creative and bringing 
out a new edition of T-world every six months must be very intense! Do you ever come up for 
air?  
EZ: That work/life balance is very, very complex. Mainly because I have made my work my life. My 
lifestyle revolves around the humble tee.

It has affects on people you care about and people you want to spend time with. Part of my 
decision in wanting a change from Grin, is also, in part, to help focus my energies on T-world by 
day. I am hopeful that with time, that my work/life balance will improve. 



BW: How has creating T-world impacted positively on you as a person? 
EZ: T has provided an incredible network of people at my disposal. Some of my experiences with 
these people have turned into pretty awesome friendships over the years. 

Meeting the likes of Lionel Vivier, Rick Klotz, Matt Revelli, Bobby Hundreds, Shepard Fairey, 
Brandy Flower, Luca Ionescu, jeffstaple – the list can go on forever, has impacted on me 
enormously. As soon as you think you understand the T-shirt caper, someone else adds their own 
opinion. I never stop learning and I crave for more. 


BW: Recently you fulfilled a childhood dream and went to the set of "Sesame Street"! While you 
were there you worked on T-Shirt collaborations between Artists and Sesame Street 
characters... what was the most magical thing that happened to you while you were there? 
EZ: Two things. The first time I went to Sesame Street, because I have been there twice, I met Super 
Grover. Super Grover questioned me a lot on why I was on set. I told him it was to collaborate on 
a series of T-shirts. He looked down to his chest and realised he had no idea what a T-shirt was. 
So he frantically asked all the production crew what the hell a T-shirt was and why no one had 
told him about the phenomenon. I was laughing so hard, I was crying.

The second was meeting Caroll Spinney. He is the puppeteer of Big Bird and Oscar the Grouch. 
Such a nice guy and so full of energy given he has been playing those characters for so long 
now. 40 years in fact. The most magical thing about Sesame Street is that I don’t think in my 
lifetime that we will again have such universal appeal for characters that Caroll and the rest of the 
Sesame Street puppeteers have brought to life.


BW: Now you have walked the streets of Sesame Street, is there a new dream that you have set 
your sights on?  
EZ: I am on the mission of finding the most expensive tee in the world. So am reporting on some 
high-end designers next and I would love to spend time with Vivienne Westwood. I like 
contrasting the style of each issue and I figure that with all this doom and gloom, we’re all of a 
sudden appreciating money more than ever. Most people see the tee as a disposable art form 
but I want to prove that T-shirts have value too – and why so. Read about that in Issue #07.


BW: What is your theory on making dreams come true Eddie? (I'm expecting some pretty good 
insights here! Rumour has it that getting into Sesame Street is harder than getting into the 
Pentagon.) 
EZ: Dream and do. That’s just for starters. If you believe the majority of people you listen to, 
everything seems too hard. But persistence combined with working hard is the real key. I don’t 
know anyone who’s had a real easy ride and is successful. Keep focusing on want you want and 
if it doesn't get noticed straight away, keep trying. And then try harder.

I am a great believer that anything is possible – but like anything there are sacrifices and 
obstacles that you need to confront. Get past those and the world is your oyster.


I buy my T-world's at my local Borders store...but you can also purchase the current issue and back issues at Mag Nation stores, or online through www.magnation.com! Half the fun though is finding them in unpredictable places ;) 

Facebook: T-world 

Saturday, April 17, 2010

A "Kidrobot"....Paul Budnitz, the Interview!


I have loved toys my whole life...and I have come to realise that I am one of a small percentage of 28 year old women that have this passion. I would much prefer to have a limited edition artist designed toy than I would a diamond ring. 
When I was 8 my Dad worked for a Radio Station, and a particular chocolate company needed 2 kids to talk about chocolate on a commercial. My cousin Mark and I were chosen. Because we were too young to receive cash, we were given toys as payment for our services. 
Excited at the prospect of what toy I would be given, of course I agreed to the Ad! It was when we were given our toys that my devastation began...Mark received a Transformer that turned into a jet, and I got a light blue "My Little Pony" with a hairbrush to tame its mane. Crushed was an understatement, pissed off would probably better describe how I felt that day. WHAT COULD I DO WITH A "My Little Pony"?! I wanted a toy with powers, a real toy. 

Unfortunately my Radio friends did not realise that even at 8, I was a toy connoisseur. There was no way "My Little Pony" was going to rock my 8 year old world. The closest I have gotten 20 years later is watching what Finnish Artist, Mari Kasurinen does with her "My Little Ponies"...they should have given me a Pony that had a "My Little Skeletor" flavour. I would have been in heaven...I might have even done another commercial. 
                                                             
My Radio career is over, but the toy lover in me still exists. It was only last year that my inner child was awakened again when my best friend bought me home some small boxes from the U.S. Inside the boxes were toys, from a company called "Kidrobot". For a moment in time, I held these toys like I would have held the Transformer I wanted so badly 20 years ago. It was like they were made for me, the 28 year old year old woman that refuses to entirely grow up. 
My growing collection of "Kidrobot" toys remind me that dreams do come true, and "Kidrobot" is proof that there is a place for games and fun in an adult world that can be far too serious. 

Founded in 2002 by designer Paul Budnitz, Kidrobot is the world's premier creator of limited edition art toys and apparel. Kidrobot creates toys, apparel, accessories, and other products in collaboration with many of the world's most talented artists and designers. 

Wanting to know more about the man who started it all, I requested an interview with Paul and he accepted. 9 questions to the King of the Kidrobot kingdom. 


BW: Can you paint us a picture of the work environment you have created for your Kidrobot team? 

PB: Kidrobot is a group-work environment.  We don't do much creative work individually, but spread all the work -- creative generation, and decision making --between the various people in the office (and to people outside the office, too).   It's my experience that there is a group intelligence that comes from getting many people's opinions and ideas on something.  So 1=1, but 1+1 =4.   

It's a lot harder to really blow it and design something truly stupid when you've got a number of different people looking in on something.  I think that's one reason the things Kidrobot makes are generally so great.   We don't let each other make dumb decisions if we are willing to speak up.

BW: How do you fuel the creativity of your team?

PB: Creativity responds to lots of pressure and very little time.   It's easy to be creative on a schedule.  It's hard to be creative when you've got all the time in the world.   We all know that experience from writing great term papers. the night before they're due.

My own method is that in meetings, I give every idea no more than two minutes.  If we don't have a good result by then, I either kill the whole thing or revisit it another time when we've all got more juice.

BW: How would you describe yourself as a Leader? 

PB: Benevolent dictator.

BW: I noticed throughout your Blog, there are themes of 'Insomnia' and other images and words that lead me to believe that your mind is in overdrive 24/7! What do you do to switch off? 

PB: I've had trouble sleeping most of my life.   At this point it's gone beyond something I deal with, it's something I've accepted and it's integrated into who I am.  I've learned to work effectively when I'm exhausted, to not let that take over, and to exploit the good energy I have when I do sleep well.

One way I do rest is to sit for an hour at the Tibetan Buddhist Center a few block from our office almost every day.  I'm not a Buddhist, and New Age people give me the creeps.  

And, sitting still for an hour forces me to watch my own mind turning.  I'm more or less helpless to it otherwise. Sitting is probably more healthy than heroine, television, politics, email, and any of the other drugs people I know use to distract themselves.

BW: I really respect the fact that on your Blog you admitted that 'losing your edge' scares the hell out of you. It's not very often that the leader of a global company will drop the bravado and say, 'Hey I get scared too.' What brings about fear for you, and how do you handle it? 

PB: Well, there's a kind of materialism a lot of us artists have around making art while we are struggling, living in dirty little apartments, starving etc.  We feel like we're really "artists" when we are in these kind of environments, that we're viet cong guerillas fighting nobly against the middle class -- and in fact, that's just romanticism.  Every starving artist wants money, and would take the nice apartment on 5th avenue (or the equivalent) if someone handed them the keys.

At the same time, comfort is the antithesis to creativity. So I personally worry when I see myself becoming comfortable.  I'm just naturally good at making my world work,at making money, etc.  That's a gift I have.  That can lead to an outer appearance of success and comfort and all the rest.  

The consolation is, since I basically don't sleep, I'm never comfortable.  I'm an "itchy" person, and that's an advantage as a creator.  There's always something dark to draw upon, even when the outer appearance of life looks settled sometimes.

I don't miss the drunks outside my hellish first apartment in Brooklyn, in any case!  

But I do miss the pierogies.

BW: What was your last moment of 'Pure Joy' at Kidrobot?

PB: Yesterday when the SSUR skull toy released on the Kidrobot Black web site.

BW: What was your last 'Oh Shit' moment at Kidrobot?

PB: When the servers crashed five minutes after we released the SSUR Skull on Kidrobot Black web site.


BW: What excites you about the future? 

PB: Flat paint, Barack Obama, the color black, and good friends.

BW: Do you think there is a blueprint for making one's dreams come true? If so, what is it?

You can't be truly successful without the willingness to sacrifice your personal comfort for what you know is worth doing.   The universe is built so that you receive nothing unless you learn this one little trick.

Another way to say this is that you can't have your dreams come true until you first sacrifice your dreams.  Then you can look around and see what's really going on, put in effort and adapt your dreams to whatever in reality comes up.


www.kidrobot.com 
www.paulbudnitz.com 

Monday, April 5, 2010

Just a 'tweet' away...Scott Gesizler, CEO of "Pizza Capers"!

Last year I got myself 'involved' with Twitter, and you could say it's a love affair that has continued to possibly an obsessive level. 
One of the reasons I grew to love Tweeting was because it was so interactive. I could follow the companies and people I was intrigued by, and do it in real-time. Yes I just said 'real-time', nerd alert!!  


Facebook had always presented barriers to me. It was cool, but it lacked the intimacy I was after. 


One night, very late.... A Miami Design company called 'Friends With You' tweeted across the globe, and I tweeted back. I am known to re-write my tweets sometimes 5 times before I put my 'tweet' out there, and I sat there with a Corona in hand hoping, really hoping that I would get something back. (This Blog is not sponsored by Corona, but if Corona is listening I'll take it)
Within a few minutes I had a reply, and soon I discovered that I had been communicating with one of the Creators of "Friends With You", Sam Borkson. Think of a Celebrity you really froth at the mouth over, and then imagine if they uttered words to you...
In the period of about a month, I had spoken with more of more heroes than I had done in my 28 years of existence. I WAS ONTO SOMETHING!  It was in one of those 'Crash-bang, What have I been doing all my life moments?!' when I realised I should be interviewing these incredible leaders, and putting it in a Blog for the world to see!


My mission was to expose that if a CEO or Founder of a major company was prepared to talk to me, the little lady, that these people were successful for the 'right' reasons and this was the type of leader I wanted to be. 


It was at a function that I had the pleasure of meeting Scott Geiszler, one half of the Pizza Capers empire. 


What impressed me about Scott? 
-He is an all round cool guy who supports a lot of charitable causes. 
-We 'nerded it up' talking about Social Networking for an hour. 
-Scott and his Co-Founder Anthony were ranked No. 9 in 'BRW's Top 10 Fastest Growing Franchises'. (One of my my career fantasies is to be featured in BRW's Young Rich List. Scott's been in the mag, I wanted to be near him!)
CLINCHER: I had been watching Pizza Capers on Twitter for a little while, little did I know that the person I was watching 'Tweet' was Scott. Just confirms my theory, if a leader is prepared to step out from behind closed doors and expose himself to the world, we've got a good one on our hands!


Enjoy!


SCOTT GEISZLER...THE INTERVIEW


        Scott donating a cheque on behalf of 'Pizza Capers' to ' Mater Miracles'. 





1. What makes the difference between a 'business owner' and an 'entrepreneur'? 
I think Michael Gerber's book, the "E Myth" has the best answer to this question. Early in our working lives, we get very technically competent - the technician in us is in charge. Then, the entrepreneur in us kicks in, sacks the boss, risks capital, and starts a business, the technician becomes a business owner.
From this point, we juggle. The technician just wants to do the work, be good at it, and get paid well. If we let the technician run the show, we have a small business, maybe a good small business, maybe even a great one, but its totally dependant on its owner, and this, i think is the definition of a business owner. If the owner stops, the business stops.
An entrepreneur on the other hand, is about leverage. We leverage our capital to get more and more out of it. We leverage our time and create more of it by surrounding ourselves with a talented team. We listen, learn, grow, invest. We are not good at detail. The classical entrepreneurial problem is continually coming up with the latest greatest, exciting thing, and kind of forgetting about the little details.... like the completing last weeks latest, greatest and exciting thing.

2. I know you are a big believer in Social Media (The likes of Twitter and Facebook). Was there a pivotal moment when you realised the potential of working with Social Media in your business?
I think social media has always been inevitable, and in some ways, it's always existed, we used to call it "talking". Humans are social animals. We like to have friends over, communicate, interact etc. 10 years ago we stopped getting that in traditional ways, and to an extent, we stopped being social. Chasms now exist between neighbours. Because of inexpensive long distance travel, family units, once close geographically are now all over the world. We needed a tool to keep in touch. Clever buggers like Mark Zuckerberg of Facebook and Jack Dorsey of Twitter just saw that need and built a tool to satisfy it. For Pizza Capers social media is simply a new way to do what we've been doing for years, connecting with our customers.

3. What do you dream about?
I've always had a very strong belief in setting goals. Not just having "wouldn't it be nice" dreams, but specific, measurable, written down goals, with a corresponding step by step plan. I re-run my own goal setting workshop every year, and then review my progress weekly or sometimes daily. I have many goals, in all facets of my life. I have many business growth goals and milestones, many personal development goals, as well as goals of contribution to the community. For example, presently, I want to invest more time learning to play my guitar and learning to take better photos. This year I want to learn a new language, French. I would like to commit more time to helping out charitable ventures and I would like to become involved in politics. Each of these things has a corresponding specific action plan. Its the action plan that turns dreams into goals, and goals into reality. The action plan is the most important bit.


4. A multi-million dollar business is no easy feat, what abilities were you born with, and what skills have you needed to acquire to 'make it work'?
I think the only thing I was born with was a set a parents who are amazing, and they set the scene for everything we've been able to do up to now, and everything that we'll do in the future. I remain eternally grateful to them. The things you need to be successful are a matter of skills and attitude. All of these things can be learned, acquired or developed. The foundational lesson my parents taught me were:
1) You don't work, you don't get paid. 
2) Next they taught me to love to work, not just to do it, not just to like it, but to love it - no matter what the job is. 
3) do your best, no matter what the task at hand is - just strive to do it as best you can. 

The next most important thing I learned was understanding that you always work for yourself, even if you're employed by someone else, you still work for yourself. You are your own brand. You should continually invest in learning, reading, listening and growing, and the value of your brand, "you". the more you've grown and learnt, the more you can ask to be paid, and the more you become "worth". From there, success seems to find you.

The next foundation lesson is to learn to continually ask quality questions. Things like, "What's not perfect yet?", "How did I do today?", "How can I help my customers and my team more?", "What can I do better tomorrow?", "How can I add value here?"

Finally, the attitude of win - win is important. There is win in every situation. I learnt to find the win for everyone involved in a situation and to do it  as often as possible. This has been one of the most important parts of the story so far.

5. One of my dreams is to be featured in BRW Magazine, and for me that would be one indicator that I had 'made it'. Is there something that you measure yourself against? (You and Anthony have already been in BRW Magazine, congratulations!) 
I remember listening to a Zig Ziglar tape once, on it he said that you should never measure yourself and your achievements against anyone else, you should only measure your performance against what you could have done with the skills and talents you had. In other words, I measure myself against myself only. The question to ask is "how did I do compared with what I could have done?". I ask that question a lot, and my journal is filled with lessons learnt in that type of reflection. I'll admit that I can be pretty tough on myself, but that's better than measuring myself against other people who may be smarter, more talented, more educated or who started from a stronger position than I did - I find that if i do this i end up depressed and to an extent paralysed from moving forward, and this position is counter productive. If I judge my actions against myself, I find that the lessons learned are powerful and motivational.


6. What has been your most valuable lesson so far in Business?
Early on we learned to think as if "Pizza Capers" was a person. It was not a tool that we used, it was a person and it employed us. Every time a roadblock came up or a decision needed to be made, we repeatedly asked "what's best for Pizza Capers?". This philosophy meant that at all times it was easy to make tough decisions. Some times those decisions were not easy on us. They caused us to work outrageous hours, or to do things we were not comfortable with. The philosophy meant that the business was never stifled by our own limitations, rather, it, as the boss, forced us to go out, get the tools, talent or skills that the business needed - as a result the shackles were off, and the business grew well.


7. What was the last moment of enlightenment you had? (A.k.a what's known as a light bulb, or 'aha!' moment)
I have very few light bulb moments, unfortunately. Almost everything we've come up with is the result of patience, diligence, work and thought. Any that I do have are usually in the kitchen. Most often a new product or new menu seems to come to me an an instant, and often I'll be at work most of the way through the night getting the new ideas down before they evaporate from my head even quicker than they arrived.
Recently we launched a new range of 97% Fat Free pizzas. Over about 4 months, we tried, tested, retried Post Optionsand went back to the drawing board with dozens of different ideas..... none of them worked. Then, it hit me and the 4 new pizzas we launched with were all born in a matter of seconds, and they resembled nothing like what we'd be playing around with up until that point.

8. Where do you see the 'Pizza Capers' business concept in 10 years time? With where the world is going with technology, will it be vastly different to the Business we see today? (Totally happy for a Jetsons or Futurama answer here!) 
I think the core of the business, i.e. making high end, convenient meals and satisfying our guests will be the same. 
There will be a myriad of changes in terms of how we communicate our messages, and in operational things like ordering stock, handling guest orders, measuring and monitoring performance. These are the areas we're focussed on right now. 
Additionally, I think menus are undergoing the most significant changes we've ever seen. Within the next few years I think we'll see a real surge of our kind of food: natural, wholesome ingredients. I think over processed foods, like force meat and processed cheeses and the kind of stuff used by the fast food burger and pizza chains will die a deserving death. I think you'll see the rise of soy type products, and a general Asian-ification of the western diet - wok tossed, stir-fried, real veggies will take the place of burgers, pepperoni and cheese in an increasing number of diets. Red meat will be consumed less. Chicken, seafood will become increasing popular, but vegetarianism and the consumption of products like tofu will grow at an even higher rate.


9. For those who have a new concept or idea they would like to create, what would be your advice to them? 
Learn - I went to a Brad Sugars seminar the other day, he said "you can't out earn your learning". I think the most important thing is to get into a frame of learning. Research, read, listen to audio books, attend seminars, do whatever it takes but get you're learning into overdrive. Stuff you don't know can hurt you - it pays to lessen the number of things you don't know. The other thing is to make sure that your new idea or concept solves some problem for your target market, and very importantly, that it solves the problem in a way that offers something different to the solutions offered by others.
Anthony and Scott - Co Founders

Pizza Capers has just launched a new 97% fat free range that ACTUALLY tastes good. ;)
www.pizzacapers.com
Follow them on Twitter and Facebook, please

Friday, April 2, 2010

Up Coming Interviews from the land of Baby Wasp!

Hey Party People!!


Sorry about my infrequent posts as of late, I started a new 'day job' working in Business Development and Marketing for a gourmet Pizza Company...life has been crazy, and my new 'family' of colleagues work hard, and play hard...The playing hard side of things I'm still getting used to lol. It seems getting older has reduced my tolerance to hangovers. But life is good, and the best thing about my new gig is I can be creative 24/7! :) And now I've had my initiation period, I'm back and ready to Blog it up with some kick arse interviews!


Coming up in the next few weeks on "Baby Wasp's Culture Hound"....


SCOTT GEISZLER - CEO and Co-Founder of 'Pizza Capers', Australia's most amazing Gourmet Pizza Company. I don't just go and work for any company, I researched this guy before I got in! ;) Ranked by BRW Magazine as one of Australia's fastest growing franchises... 


PAUL BUDNITZ - Founder and Creator of Kidrobot, the world's premiere creator of Designer Toys, fashion apparel and accessories! Designer, Film maker and serial entrepreneur. This guy, I am frothing at the mouth to interview. :)


SIIMON REYNOLDS - Australian Entrepreneur, Marketing and Advertising Legend. My Dad's idol, and a man that I have heard about my whole life...now one of my heroes. "The Hottest thing in Australian Advertising" - 60 Minutes


FRIENDS WITH YOU -Established in 2002 by Miami-based artists Samuel Borkson and Arturo Sandoval III, FriendsWithYou set forth on a mission to spread the idea of Magic, Luck, and Friendship™ around the world, and become Friends-With-You! Art, Designer Toys and a Creative Agency that has worked with the likes of MTV and Nike. Crazy :)


Stay tuned, same time, same place, same channel. 


Baby Wasp

Sunday, March 14, 2010

Talk Derby to me...An interview with "Dead Meat"



My first Roller Derby Match was an experience. I went with a Photographer friend of mine who was on assignment to take photos of the Northern Brisbane Rollers Derby team. I tagged along for the ride. 
Now, my friend said I would enjoy it, I just didn’t realise how much. For those that don’t know Derby, if I was to tell you it involved: 

2 teams of smokin’ hot athletic women on roller skates, d

ressed in short shorts and fishnets thrashing it out against each other in a game of skill and wit, you would be in right?


Allow me to walk you through my experience: My photographer buddy goes off to do her thing, so I grab myself a hotdog and a beer. And friends, I feel truly alive! The crowd was totally different to any other sporting match I had ever been to. These people are uber cool, and not wanker cool. Clearly Derby is an underground cult hit that I have been missing out on my whole life.

It isn’t just a sporting match, it’s a live action show that provides everything that commercial sport doesn’t.
Retro Rock n Roll tunes blare and the MC introduces the 2 teams to the rink. (Keep in mind kidults this isn’t in a normal skating rink, it’s a stadium) Each team has the chance to do a couple of laps, wave to the crowd, and I cannot believe I’m seeing girls do cartwheels on roller skates! These ladies are freakin super heroes, and the crowd is agreeing with me on this. Rather than traditional numbers on the back’s of their shirts the ladies have names printed, "Dead Meat" being one of them. I pick a team, clearly the Northern Brisbane Rollers, and a few ladies that I am interested to see get their Roll on.

HOW DOES THE GAME WORK: There are 2 teams of girls ready to unleash absolute chaos on each other. In each team there is 1 girl with a star on her helmet that has the goal of out lapping, and out-rollering the opposing team. And it is the job of her team to help propel, protect and scoot her through the masses trying to bring her down. And let me tell you folks, this is a no game for “girls”. I’m talking women with a view to bring down their opponents, and each lap I see ladies literally flying across the track... I see one very unfortunate face plant that looks incredibly painful. But you know what, she gets up again. And instantly I feel like a derby fire has been lit inside me, this is not just a sport, it’s a metaphor for life!  

One of the stars of the show is “Dead Meat” from the Northern Brisbane Rollers. Tall, athletic and shockingly quick on the track, I am instantly a fan. On and off the track she is a force to be reckoned with, and it is with pleasure that I bring you an interview with the lovely Carla. (a.k.a Deady)

1. Carla, how did you end up with the alias "Dead Meat"?

Being a small person, when I went try out, all the other skaters looked big and scary, I literally thought I was DEADMEAt!
I wrote it on my helmet in nikko on the way to rink, and drew wings on the sides. When we arrived I realised I'd accidentally drew the wings backwards!

2. What drew you into Roller Derby in the first place?
A mates girlfriend insisted I try out, since I had a pair of $8 roller skates.
She lied down on the road out front of the house and got me to jump her.
So my derby try out was jumping people in the street.

3. How have you grown as a player from your first ever match to right now? What has Derby given you as a person?
Derby made me a Lady.

4. Do you have an Arch Nemesis in the derby world? 
No way! I have a Derby Wife.
Her name is Vaderella and she's an Adelaidy from Adelaide.

5. As well as being one of the best Derby girls in the country, you are also a D.J. A.k.a "Carla-Me-Badd", and even more impressive is that you only use vinyl records. If you were going to create an ultimate derby play-list of 10 songs, what would they be?
Want To Be Startin' Something~Michael Jackson
Spin The WheeL~Hi Tek 3
She Wants To MOve~NERD
Oh Yea~Yello
Eye of the Tiger~Survivor
I See Red~Split Ends
TNT~ ACDC
Bad Reputation~Joan Jett
We Will Rock You~Queen
Gonna Fly Now ~Bill Conti

6. From what I can gather each season has a theme to it, what's the theme you dream about? 
I want to play a reverse game, we always skate in the counter-clockwise direction. When I was at the Honky Tonk Stomp in Knoxville, I told the American girls that, like a toilet, we skate in the opposite direction in the southern hemispere.
.
7. When the "Freshies" come through to try out (Freshies being Fresh Meat), how can you pick who has got talent? There has got to be more traits you look for rather than just who can skate? This sport has some serious 'tude'!! 
Derby like all sports needs all different styles of players.
What I like to see in a freshie is a huge grin as they hurtle toward the floor!

8. For those who haven't been to a Derby match yet, what's your message to them?
6:3oPM
APRiL l7
Brisbane Exhibition and Convention Centre


9. What is coming up for Derby in 2010?
Roller Derby is coming to town! Specifically the Brisbane Exhibition and Convention Centre on APRiL l7 NORTHERBN BRISBANE ROLLERS present
Diner Might Dolls Vs Love Rockettes, first bout of the season of five.
Of course there will have to be a rematch between North and South Brisbane, and
word on the rink is an Australian National Tournament in Adelaide mid year. Hell yea
   

10. Last question...what is your theory on how to make dreams come true? 
In the words of Bruce Lee, "it's like a finger pointing to the moon
Don't concentrate on the finger or you will miss all that heavenly glory"